01.	There really is no such thing as Art. There are02.	only artists. Once these were men who took03.	coloured earth and roughed out the forms of04.	a bison on the wall of a cave; today some buy05.	their paints, and design posters for hoardings;06.	they did and do many other things. There is07.	no harm in calling all these activities art ……..08.	we keep in mind that such a word may mean09.	very different things in different times and10.	places, and as long as we realize that Art with11.	a capital A has no existence. ……… Art with a12.	capital A has come to be something of a13.	bogey and a fetish. You may crush an artist14.	by telling him that what he has just done may15.	be quite good in its own way, only it is not16.	'Art'. And you may confound anyone enjoying17.	a picture by declaring that what he liked in it18.	was not the Art ……… something different.19.	Actually I do not think that there are any20.	wrong reasons for liking a statue or a picture.21.	Someone may like a landscape painting22.	because it reminds him of home, or a portrait23.	because it reminds him of a friend. There is24.	nothing wrong with that. All of us, when we25.	see a painting, are bound to be reminded of a26.	hundred-and-one things which influence our27.	likes and dislikes. As long as these memories28.	help us to enjoy what we see, we need not29.	worry. It is only when some irrelevant30.	memory makes us prejudiced, when we31.	instinctively turn away from a magnificent32.	picture of an alpine scene because we dislike33.	climbing, that we should search our mind for34.	the reason for the aversion which spoils a35.	pleasure we might otherwise have had. There36.	are wrong reasons for disliking a work of art.37.	Most people like to see in pictures what they38.	would also like to see in reality. This is quite a39.	natural preference. We all like beauty in40.	nature, and are grateful to the artists who41.	have preserved it in their works. Nor would42.	these artists themselves have rebuffed us for43.	our taste. When the great Flemish painter44.	Rubens made a drawing of his little boy, he45.	was surely proud of his good looks. He46.	wanted us, too, to admire the child. But this47.	bias for the pretty and engaging subject is apt48.	to become a stumbling-block if it leads us to49.	reject works which represent a less appealing50.	subject. The great German painter Albrecht51.	Dürer certainly drew his aging mother with as52.	much devotion and love as Rubens felt for his53.	chubby child. His truthful study of careworn54.	old age may give us a shock which makes us55.	turn away from it — and yet, if we fight56.	against our first repugnance we may be richly57.	rewarded, for Dürer's drawing in its58.	tremendous sincerity is a great work. In fact,59.	we shall soon discover that the beauty of a60.	picture does not really lie in the beauty of its61.	subject-matter.	Adaptado de: GOMBRICH, E. H. The Story of Art. London / New York: Phaidon, 2007. p. 15-18.<div>67. Select the alternative that adequately fills in the gaps in lines 07, 11 and 18. </div>

Questão 67 de Inglês da prova UFRGS/2019

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01.	There really is no such thing as Art. There are02.	only artists. Once these were men who took03.	coloured earth and roughed out the forms of04.	a bison on th

Questão 17

Questão 67 de Inglês da prova UFRGS/2019

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Prova UFRGS/2019: Física

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Prova UFRGS/2019: Literatura

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Prova UFRGS/2019: Inglês

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Prova UFRGS/2019: Espanhol